Posts Tagged ‘clapton’
thought you might like to see some of my students in action. This is John Gacnik, a senior in high school and a real tasty jammer, I’m just showing him stuff that worked for me! hopefully it will help you too!
Duration : 0:7:3
http://www.easymusiclessons.com/guitar-lessons/blues-guitar-lessons.html
Blues Guitar Lessons Vol. I, Complete Video Pack
for Beginner and Intermediate,eBook with Video Lessons
By Joe Smith
Duration : 0:0:42
taking the blues and moving forward into more interesting sounds and chords
Duration : 0:7:8
http://www.nextlevelguitar.com/pages/freejamtracks/
Click on and follow the above link to get two FREE Jam Tracks and coinciding written lesson all for free from Next Level Guitar.com
In this video guitar lesson blues lick of the week we teach a right hand tapped lick and discuss applying it and palying over the jam tracks and how to get two free ones that coincide with this lesson.
Many more full on video lessons as well as a FREE 3-day all access site pass at the full on video instructional website at: http://www.nextlevelguitar.com
Duration : 0:8:53
FULL COURSE: http://truefire.com/slowbluespower/slowbluespower.html
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One of the great things about soloing over dominant seventh chords—and something that is certainly an essential technique when improvising on a slow blues—is that players are free to exploit the difference in quality between the minor third and the major third. The scale most closely associated with dominant seventh chords is Mixolydian; in G, G Mixolydian is spelled G A B C D E F, with B as the major third. The minor third is one half step lower, Bb; this pitch can also be thought of as the b9 (flatted ninth).
In bar 1 of the solo, I begin on beat one by hammering on from the minor to the major third, and, on beat two, incorporate both the minor and the major third. Be aware of the difference in quality between these intervals and try to take advantage of that difference while crafting your solos.
Duration : 0:5:59



