The blues genre is based on the blues form but possesses other characteristics such as specific lyrics, bass lines and instruments. Blues can be subdivided into several subgenres ranging from country to urban blues that were more or less popular during different periods of the 20th century. Best known are the Delta, Piedmont, Jump and Chicago blues styles. World War II marked the transition from acoustic to electric blues and the progressive opening of blues music to a wider audience, especially white listeners. In the 1960s and 1970s, a hybrid form called blues-rock evolved.

The term “the blues” refers to the “blue devils”, meaning melancholy and sadness; an early use of the term in this sense is found in George Colman’s one-act farce Blue Devils (1798).[3] Though the use of the phrase in African-American music may be older, it has been attested to since 1912, when Hart Wand’s “Dallas Blues” became the first copyrighted blues composition.[4][5] In lyrics the phrase is often used to describe a depressed mood.
The blues form is a cyclic musical form which repeating progression of chords mirrors the call and response scheme ubiquitous in African and African-American music. During the first decades of the 20th century, blues music was not clearly defined in terms of a particular chord progression.[7] With the popularity of early performers, such as Bessie Smith, use of the twelve-bar blues spread across the music industry during the 1920s and 30s.[8] Other chord progressions, such as 8-bar forms, are still considered blues; examples include “How Long Blues”, “Trouble in Mind”, and Big Bill Broonzy’s “Key to the Highway”. There are also 16-bar blues, as in Ray Charles’s instrumental “Sweet 16 Bars” and in Herbie Hancock’s “Watermelon Man”. Idiosyncratic numbers of bars are also encountered occasionally, as with the 9-bar progression in “Sitting on Top of the World” by Howlin Wolf.
Like jazz, rock and roll, heavy metal music, hip hop music, reggae, country music, and pop music, blues has been accused of being the “devil’s music” and of inciting violence and other poor behavior.[132] In the early 20th century, the blues was considered disreputable, especially as white audiences began listening to the blues during the 1920s.[65] In the early twentieth century, W.C. Handy was the first to popularize blues-influenced music among non-black Americans.

During the blues revival of the 1960s and ’70s, acoustic blues artist Taj Mahal and legendary Texas bluesman Lightnin’ Hopkins wrote and performed music that figured prominently in the popularly and critically acclaimed film Sounder (1972). The film earned Mahal a Grammy nomination for Best Original Score Written for a Motion Picture and a BAFTA nomination.[133] Almost 30 years later, Mahal wrote blues for, and performed a banjo composition, claw-hammer style, in the 2001 movie release “Songcatcher”, which focused on the story of the preservation of the roots music of Appalachia.

Perhaps the most visible example of the blues style of music in the late 20th century came in 1980, when Dan Aykroyd and John Belushi released the film The Blues Brothers. The film drew many of the biggest living influenciers of the Rhythm and blues genre together, such as Ray Charles, James Brown, Cab Calloway, Aretha Franklin, and John Lee Hooker. The band formed also began a successful tour under the Blues Brothers marquee. 1998 brought a sequel, Blues Brothers 2000 that, while not holding as great a critical and financial success, featured a much larger number of blues artists, such as B.B. King, Bo Diddley, Erykah Badu, Eric Clapton, Steve Winwood, Charlie Musselwhite, Blues Traveller, Jimmy Vaughn, Jeff Baxter.

In 2003, Martin Scorsese made significant efforts to promote the blues to a larger audience. He asked several famous directors such as Clint Eastwood and Wim Wenders to participate in a series of documentary films for PBS called The Blues.[134] He also participated in the rendition of compilations of major blues artists in a series of high-quality CDs. blues guitarist and vocalist Keb’ Mo’ performed his blues rendition of “America, the Beautiful” in 2006 to close out the final season of the television series The West Wing.

Duration : 0:2:35

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How to play ACDC style beginner song EZ rock electric guitar lesson 3 chords and licks

Duration : 0:5:36

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Duration : 0:11:8

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http://www.facebook.com/people/Phil-Schenker-Macrakken/100000601102364

Duration : 0:3:15

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Taught by Justin Sandercoe.

Full support at the justinguitar web site where you will find hundreds of lessons on a wide range of subjects, and all the scales and chords that you will ever need! There is a great forum too to get help, no matter what the problem.

And it is all totally free, no bull. No sample lessons, no memberships, no free ebook. Just tons of great lessons

To get help with this lesson (and for further info and tabs), find the Lesson ID in the video title (like ST-667 or whatever) and then look it up on the Lesson Index page of justinguitar.com

http://www.justinguitar.com

Have fun

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Duration : 0:9:35

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This lesson is part 1 of 2 in learning how to play a blues guitar lead in the style of Eric Clapton. This lesson incorporates several of the guitar licks that he commonly uses and is built in his phrasing style. This lesson is recommended for intermediate / advanced guitar players although a beginner should be able to play along with the first half of this solo.

Duration : 0:7:39

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Duration : 0:4:31

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Welcome to the three part arpeggio series in this course. Arpeggios are absolutely key to mastering the art of playing guitar. Arpeggios put chords in a different perspective in order to understand how they are built and how to use them in different ways. Prepare to have Ben expand your musical world.

Pattern 1
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Arpeggios are essentially broken up chords. Instead of strumming chord shapes, you can pluck each note of the chord individually to achieve a different type of sound. This is very common in many pop, rock, and folk songs, and it opens up a world of new rhythmic possibilities. This first pattern will help you build dexterity in your picking hand (refer to the video above and the images below).G major picking pattern: Hold the G chord shape at the base of the neck and pick each note in succession from down to up (marked by the black dots on the left) using all downstrokes.E minor picking pattern: Hold the Em chord shape at the base of the neck and pick each note in succession from down to up (marked by the black dots on the left) using all downstrokes.C major picking pattern: Hold the C chord shape at the base of the neck and pick each note in succession from down to up (marked by the black dots on the left) using all downstrokes.D major picking pattern: Hold the D chord shape at the base of the neck and pick each note in succession from down to up (marked by the black dots on the left) using all downstrokes.

Read more by visiting our page at:
http://www.mahalo.com/how-to-arpeggiate-guitar-chords-pattern-1/

Duration : 0:3:23

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Duration : 0:3:7

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Duration : 0:7:41

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